DescripcióFlammarionWoodcut.jpg	English: The Flammarion engraving is a wood engraving by an unknown artist that first appeared in Camille Flammarion's L'atmosphère: météorologie populaire (1888). The image depicts a man crawling under the edge of the sky, depicted as if it were a solid hemisphere, to look at the mysterious Empyrean beyond. The caption translates to "A medieval missionary tells that he has found the point where heaven and Earth meet..."
Data	1888
Font	Camille Flammarion, L'Atmosphere: Météorologie Populaire (Paris, 1888), pp. 163
Autor	AnònimUnknown author
Permís (Com reutilitzar aquest fitxer)	Això és una mera fotografia d'una obra d'art bidimensional en domini públic. L'obra d'art original és en domini públic pel següent motiu: Public domainPublic domainfalsefalse Aquest material està en domini públic als Estats Units i als altres països on el dret d'autor s'estén per 100 anys (o menys) després de la mort de l'autor. Cal incloure una etiqueta de domini públic als Estats Units per indicar perquè aquesta obra és en domini públic als Estats Units. Aquest fitxer està identificat com a lliure de restriccions conegudes sota la llei de drets d'autor, inclosos els drets veïns. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse La posició oficial de la Fundació Wikimedia és que «les reproduccions fidels d'obres d'art bidimensionals de domini públic són en domini públic». Per tant, aquesta reproducció fotogràfica també es considera en domini públic als Estats Units. En altres jurisdiccions la reutilització d'aquest contingut pot estar restringida; vegeu Reuse of PD-Art photographs per a més informació.
Altres versions	Other scan, without the original caption Cropped and cleaned version Recoloured (1998) Recoloured (2015) With transparency

Camille Flammarion, L'Atmosphere: Météorologie Populaire (Paris, 1888), p. 163.

The Flammarion Woodcut is an enigmatic woodcut by an unknown artist. It is referred to as the Flammarion Woodcut because its first documented appearance is in page 163 of Camille Flammarion's L'atmosphère: météorologie populaire (Paris, 1888), a work on meteorology for a general audience. The woodcut depicts a man peering through the Earth's atmosphere as if it were a curtain to look at the inner workings of the universe.

The original caption bellow the picture translated to: "A medieval missionary (Bruno) tells that he has found the point where heaven and Earth meet...".

"During the 19th century, the Romantic conception of a European "Dark Age" gave much more prominence to the Flat Earth model than it ever possessed historically. The widely circulated woodcut of a man poking his head through the firmament of a flat Earth to view the mechanics of the spheres, executed in the style of the 16th century cannot be traced to an earlier source than Camille Flammarion's L'Atmosphere: Météorologie Populaire (Paris, 1888, p. 163) [1]. The woodcut illustrates the statement in the text that a medieval missionary claimed that "he reached the horizon where the earth and the heavens met", an anecdote that may be traced back to Voltaire, but not to any known medieval source. In its original form, the woodcut included a decorative border that places it in the 19th century; in later publications, some claiming that the woodcut did, in fact, date to the 16th century, the border was removed. Flammarion, according to anecdotal evidence, had commissioned the woodcut himself. In any case, no source of the image earlier than Flammarion's book is known. (quote from Flat Earth)